Space and a minimalist less-is-more aesthetic are the chief characteristics of this Switzerland-born Frenchman’s sound, which is indebted to Miles Davis’ avant-funk 70s work, especially in his creative use of electronic sound effects. Dvořák. His sound, which he describes as “stretch music” (after his 2015 album of the same name), is an eclectic coalescence of elements from jazz, hip-hop, rock, electronica and ambient music. Why do we have to have the same post claiming to be from different late musicians clogging up our feed? In the 90s, Blanchard appeared on the radar of the wider public via the soundtracks he composed to several Spike Lee movies, including Mo’ Better Blues. The London Symphony Orchestra performs over 120 concerts a year at the Barbican Centre in London and on tour around the world. Like Miles, Farmer – who often preferred the mellower flugelhorn – had a lyrical disposition and was adept at demonstrating emotional restraint, even though he could blow hard and fast, and swing when he needed to. With his matinee-idol good looks, Oklahoma-born Chesney Henry Baker rose to fame in the 50s as the poster boy of West Coast cool jazz. Did you change your mind about BUD BRISBOIS Shemesh? Concerto for Trumpet and Orchestra - composed for Armando Ghitalla; Henri Tomasi. Academic Festival Overture Symphony No. Four Sea Interludes. 2, Symphony No. (Bubber Miley, Harry Edison), or were on famous recordings with a great sax players (Don Cherry, Nat Adderly)? Mass in B Minor, Leonore Overture No. Discover the best jazz singers and best jazz saxophonists of all time. Bobby Hackett, Charlie Shavers (one of the greatest and most loved trumpeters of the swing era, and beyond), Ruby Braff, Tom Harell (helloooo??? Though he had female fans that were besotted by his dreamy singing voice, it was his trumpet playing – spare, unadorned, lyrical and suffused with tender feeling – that was his greatest musical attribute. Mark Ridenour Assistant Principal . I didn’t even think of Harrell….that’s a pretty glaring omission…. The trumpet has crossed into every corner of music, from classical to jazz to rock to blues. Baikida Carroll? Speaking in the 60s, the latter said Webster “probably had the best sound of the trumpet since the trumpet was invented, a sound that was alive, just alive and full of life”. Symphony No. In the 40s, Spanier played with Sidney Bechet and Bob Crosby, while in the following decade he joined Earl Hines’ band. It is true that it can be extremely loud and that before the days of telecommunications it was one of the best ways to transmit messages across a battlefield, but in the hands of a skilled orchestral player the trumpet is much more flexible than you might imagine. Carmen, Prelude. More recently, Roy Hargrove, Christian Scott and Ambrose Akinmusire have demonstrated that there’s no shortage of talented horn men waiting to break through into the spotlight. In the 70s, when jazz-fusion and jazz-funk came to the fore, Miles Davis led the way once more, closely followed by Woody Shaw and Eddie Henderson. 2 Leonore Overture No. Though he didn’t live to see his 50th birthday, Dorham left behind a rich legacy of recorded solo work and a classic composition in the shape of ‘Blue Bossa’. This list is trash. A versatile trumpeter who could play jazz, R&B and pop, Belgrave was also a noted and highly respected teacher. "Heaven´s Light" (Himmelslicht) - concerto for trumpet and orchestra() Christopher Rouse. An American in Paris 3 Symphony No. Crazy list, so Henry ‘Red’ Allen was no good, Bunny Berrigan no good? Best TWO of the Ellington Orchestra, but not the best trumpeter of the Basie Orchestra? I would have gone into a bit more detail on the importance of Miles and his depth and breadth and influence on all modern music, but like I said, we all…..etc. Like the violin, the trumpet is the smallest member of its family and plays the highest pitches with its bright and vibrant sound. Christmas Oratorio Bill Chase?? 2 The use of muted trumpets in jazz is largely down to Oliver, whose early inspiration was Buddy Bolden. Symphony No. Leonore Overture No. Miles was a genius but more as a leader and innovator than a soloist; I love him & have most of his work, but for the purposes of this list, I’d put Brown, Morgan, and maybe Dorham over him. The cousin of Booker Little, Memphis-born Smith relocated to Michigan where he had opportunities to play with Miles Davis, Dizzy Gillespie and Thad Jones before embarking on a solo career after a stint in the army. It is not necessary – once is enough. Few trumpeters could blow as high and wide as William “Cat” Anderson, a South Carolina musician who only made a handful of records under his own name, and who could span five octaves with his horn. Bernie’s tune was such a jazz standard in 1953. He played with Charlie Parker–should be in the top ten. Its music was first … With his use of wide intervallic leaps, polytonal harmonic concepts and absorption of musical elements from other cultures, Shaw was nothing less than a trumpet phenom who more than earns his place among the 50 best jazz trumpeters of all time. His shape-shifting, genre-defying music – fronted by his mobile horn – reflects the influence of free jazz, eastern European folk music and electronica. No Lester Bowie? 1.satchmo 2.clifford brown 3.fats Navarro 4.dizzy 5.lee morgan 6.miles davis 7.freddie hubbard 8.donald byrd 9.blue mitchell 10.buddy bolden 11.thad jones.. lee morgan(uncle) is my favorite and the best to me but as great as he is, you can not be greater than the foundation. A flamboyant showman as well as virtuoso horn player, Ferguson could dazzle audiences with his show-stopping, stratospheric high notes and, in the 70s, embraced rock and pop styles which led to mainstream chart success. An exponent of hard bop, Morgan scored a hit with ‘The Sidewinder’ in 1964 but moved to more exploratory jazz in the latter stage of his short career. It is a standard member of the modern symphony orchestra, as well as being universally used in jazz bands, dance bands, brass bands and military bands. A master of the muted trumpet, Spanier played in a vibrant manner that always seemed to exude joie de vivre. Håkan Hardenberger, I Musici, Simon Preston Academy of St Martin in the Fields … https://www.udiscovermusic.com/stories/best-jazz-trumpeters After beginning as a hard bop exponent, Hubbard ventured into soul-jazz territory, then, in the mid-70s, followed a more commercial path. Not only one of the best jazz trumpeters of all time, Armstrong was one of the greatest musical improvisers ever and his innovations helped jazz to evolve into what it is today. This website uses cookies to improve your experience. Sitting at the top of this list of the 50 best jazz trumpeters of all time is one of New Orleans’ most famous sons. 8. His sound is breathy and mellow, and usually framed by ethereal electronics to create an aura of tranquil meditation. Jon Faddis?? Freddie Hubbard ranked higher than Clifford Brown??? These cookies will be stored in your browser only with your consent. And Candoli’s not even in the top 50? Not to mention Bill Dixon, Lester Bowie, Wadada Leo Smith. Jan Parker – The Charlie Parker Family gifted him a horn. I’ve been involved with the creation of this orchestra since the very beginning and can emphatically say that the Sun Group has been fully committed to making this project succeed and grow in the years to come. Ein Heldenleben In the mid-60s, Jones joined forces with drummer Mel Lewis to found the Thad Jones/Mel Lewis Orchestra. Wingy Manone, Louis Prima, Nat Gonella, OK maybe they weren’t the greatest but at least they played jazz not like many on the list. Away from Coleman’s band, Cherry recorded with Coltrane and also made many envelope-pushing LPs under his own name, and in later years embraced music from other cultures. Mitchell’s main claim to fame was playing with Horace Silver’s quintet between 1960 and ’69. The great West Coast trumpeter Conte Candoli should be on that list. No small number of the world’s best jazz trumpeters have emerged in the last 30 years, the most significant of which has been Wynton Marsalis. Required fields are marked *. A steady stream of trumpet players emerged in the 60s, including innovators such as free jazz maven Don Cherry and micro-tone experimentalist Don Ellis. Thanks for all Masekela. Below are sound bites from famous trumpet players from all a range of music categories. In Armstrong’s wake came trumpeters such as Doc Cheatham, Muggsy Spanier and Bix Beiderbecke – all contenders for the best jazz trumpeter crown. I like Kenny and all but he is nowhere near Hargrove, Hargrove should be much higher up the list in my opinion, if it was down to me top 10, but to remain objective definitely top 20! In 1975, Brecker and brother Mike formed the funky ensemble Brecker Bros. Brecker’s myriad credits as a sideman (he’s recorded with everyone from Aerosmith to Lou Reed) tend to overshadow his own solo work but he remains one of the best jazz trumpeters alive right now. With his flowing, bop-inflected melodic lines underpinned by sizzling Latin rhythms, he’s one of the most technically accomplished trumpeters of his generation. Miles recognized Wallace’s talent. The point is, all these players deserve to be up there but don’t consider lists like these complete- they are from it! All 50 players are tremendous. Just go listen to MacArthur park or some other great song of his. There is always going to be someone left out but I would suggest that Enrico Rava is a more significant musician than at least half the people on this list. Bizet. Famous Trumpet Players Today-A List Of The Most Well-Known Trumpeters Today and of All Time. XIV, Also Sprach Zarathustra Now that I consider it more; between his playing and his influence on the music…I would put Tom Harrell in the top 25 easily. But think Louis Armstrong is the king of the trumpeter of all time. If your range stretches from Bobby Hackett and Charlie Shavers to Ambrose Akinmusire, you’ve obviously got some huge ears. Today's modern trumpet is a slender brass pipe with three attached valves, which is curved and bent into long loops. His admirers included Miles Davis, and fellow trumpeter Donald Byrd guested on the Jamaican’s Blue Note debut, Blues In Trinity. I’ll comment only on omissions, not the rankings: Henry “Red” Allen, Lester Bowie, Ruby Braff, Bobby Hackett, Frankie Newton, Wadada Leo Smith, Rex Stewart (cornet). Miami-born trumpeter Richard “Blue” Mitchell played with Earl Bostic while still in high school, then later, in 1958, got spotted by fellow Floridian Cannonball Adderley and joined the saxophonist at Riverside Records. Wallace also studied with Langston Fitzgerald – Baltimore Symphony Orchestra’s first black First Trumpet. While it’s clear that both the trumpet and saxophone have been integral to jazz music’s development, the former instrument has arguably been the more important of the two. Amazing player who makes you feel every note. Despite tough times and a brilliant early career, he still sounded great late in his career. Clifford Brown, too, cast a deep spell during the early 50s and helped to shape the trajectory of jazz trumpet playing. Yes, Miles was a genius BUT he cheated when he claimed to have written SOLAR. He continues to find new forms of expression, recently collaborating with J’Something, singer with South African house group Mi Casa. Adept at playing muted trumpet as well as an open horn, Sweets showed an acute sensitivity when playing ballads but could swing hard on uptempo material. Mmm..would you like a cookie before your audition? After that, he relocated to the US West Coast and, as well as making a raft of albums under his own name, he became a first-call studio musician easily earning his place alongside the best jazz trumpeters of all time. It was entitled SONNY. With his purity of tone, relaxed approach and gift for melodic embellishment, this self-taught cornet player from Iowa first recorded with the Wolverine Orchestra in the early 20s before making an indelible mark in the large ensembles of Jean Goldkette, Frank Trumbauer and Paul Whiteman in the latter part of the same decade. But opting out of some of these cookies may have an effect on your browsing experience. However, I feel that if Louis Armstrong couldn’t do it on a Trumpet, it couldn’t be done; “Technically” Dizzy was better than Miles and Miles was just Miles and that last statement is not to be taken mildly at all. Absolutely no disrespect to Hugh Masekela, he definitely had a unique style but how could he be included in the top 50 jazz trumpet players and not John Faddis or for that matter Chuck Mangione. How about Wadada Leo Smith, Jack Sheldon, and Ted Curson? Are you serious? Armstrong wasn’t the first notable jazz trumpeter in history – he was superseded by Buddy Bolden, Bunk Johnson and cornet player King Oliver – but he was more significant, combining virtuosity with popular appeal and, with his Hot Five and Hot Seven recordings in the late 20s, lit the touchpaper to what became known as the Jazz Age. I’m not that familiar with some of the younger players that are on this list, but clearly, some older and classic greats were wrongly omitted (as many others have mentioned). Reece also worked with Hank Mobley and Dexter Gordon, though he remains a cult figure. No one can touch him, he was in a class of his own. Technically accomplished, Dorham’s fearless experimentation (he dabbled with Afro-Cuban music and Brazilian bossa nova grooves) more than earns him his place among the world’s best jazz trumpeters. Like Fats Navarro, Webster, from Cleveland, Ohio, died before his talent reached maturity and a wider audience. He was German and played in Germany. A prolific recording artist, this Iowan horn maestro emerged in the early 50s as an accomplished purveyor of hard bop who, stylistically, was heavily indebted to Freddie Webster and Miles Davis. Partial to a horn of plenty? And there are many more. Though hard bop was hardwired into his musical DNA, Little’s work with John Coltrane and free jazz exponent Eric Dolphy (he co-led a band with the latter in the early 60s) evidenced that the virtuosic Little was interested in exploring jazz’s outer limits. While you’re reading, listen to our Best Jazz Trumpeters playlist here. I. Beethoven. Concerto for Orchestra, Mvt. Famous Classical Trumpet Concertos Hakan Hardenberger (Artist), Albinoni (Composer), Haydn (Composer), Hummel (Composer), Mozart (Composer), Stamitz (Composer), Neville Marriner (Conductor), I Musici (Orchestra), Academy of St Martin in the Fields (Orchestra), London Philharmonic Orchestra (Orchestra) & 7 more Format: Audio CD A key figure in the birth of hard bop, Brown’s warm trumpet sound blended sensitivity with a virtuosic athleticism. "This is a baroque concerto that's not originally for trumpet, it's for harpsichord or … Sandoval was also a member of the Grammy-winning Cuban group Irakere in the 70s and 80s. Dizzy was highly over-rated. Trumpet Concerto, Hob.VIIe:1 (Haydn, Joseph) Concerto for Piccolo Trumpet and Orchestra No.1 in Eb Major (Huffman, Jason Michael) Trumpet Concerto in E major, S.49 (Hummel, Johann Nepomuk) Trumpet or Cornet and Band or Wind Ensemble. I thought that his name used to be ALEXIS BARROS. Magnificat And it repeats every few weeks so we get it again. Influenced by Fats Navarro and Clifford Brown, Smith’s vibrant sound and ability to both swing and play ballads convincingly resulted in a contract with Blue Note in 1958. Harry Jame is tops for pure listening pleasure, and rightly called ‘The man with the golden trumpet’. From Louisville, Kentucky, Robert “Jonah” Jones first earned a living playing trumpet on Mississippi riverboats before his recruitment into the big swing-era bands of Benny Carter, Fletcher Henderson and Cab Calloway. Don Quixote Heimdall's Trumpet; Philip Sawyers. Gershwin. I saw Al Hirt and his fabulous band in New Orleans almost 4 decades ago. He was outstanding! Active in the first decade of the 20th Century, New Orleans-born Bolden – about whose life myths abound – was one of jazz’s early horn stars. Ironically, Byrd’s best-selling LP, 1972’s Gold-certified Black Byrd, boasted very little improvisation, but took the trumpeter’s name to a wider audience. Famed for his puffed-out cheeks and custom-built “bent” horn, this founding father of bebop and pioneer of modern jazz (born John Birks Gillespie) combined jaw-dropping technical brilliance with ultra-advanced harmonic concepts and set the bar for horn-playing from the late 40s onwards. Born Oran Page but dubbed “Hot Lips” because of his incendiary, bravura trumpet style, this Texas trumpet titan began his career as a teenager in the 20s before becoming a crucial contributor to the big band swing era in the 30s, when he played with the bands of Bennie Moten, Count Basie and Artie Shaw. Esteban Batallán The Adolph Herseth Principal Trumpet Chair, endowed by an anonymous benefactor. Let’s have some fun and talk a bit about some really successful and well-known trumpet players. ALEXIS BARRO? The Bach Vivaldi. Though short in stature (hence his nickname, Little Jazz), this Pittsburgh musician was a true giant among trumpet players. A sidekick of free jazz magus Ornette Coleman between 1958 and 1961, Oklahoma-born Cherry was a doyen of avant-garde jazz whose favourite horn was the more compact pocket trumpet. An Outdoor Overture. Red Allen, Ruby Braff, Jabbo Smith, Kenny Wheeler, Bunny Berigan..? Doc Sevrinson?? shis kebabs. He lived from February 1667 to October 1734. Tom Harrell definitely belongs on this list. Though not as technically accomplished as Gillespie, Miles had a lyrical tone and knew how to use space, light and shade. Debussy. I have heard Akinmusire and he flat-out blew me away. This category only includes cookies that ensures basic functionalities and security features of the website. Leopold is the one to push the family to put Wallace in the Youth Orchestra – featured trumpeter. He only gave one name … Bunny Berigan. Though his mainstream fame rests with the soundtrack music he composed for the gritty 1971 urban crime thriller The French Connection, LA-born Ellis was a jazz innovator who, as well as being an accomplished soloist, composer and arranger, was a keen experimenter. No, I’m not kidding. Decca: 4640282. We all have our favorites, but nobody can deny Mr. Armstrong’s position. He had a big presence in New Orleans. What’s with the ALL CAPS? 9, Academic Festival Overture He was identified and scouted at the age of 4 as having perfect pitch by the great classical conductor and former Philadelphia Philharmonic Orchestra’s Conductor Leopold Stokowski. Clifford more consistently displayed incredibly creative and technically complex solos….genius…but there are moments, if you have been through the Miles discography, when Miles display a fluency, complexity and range! The best Basie trumpeter of all time, who was also a spur and inspiration for Lester Young, is not in the top 50? A fine overall list, with which I agree w few exceptions. This Polish trumpeter first became acquainted with jazz via US radio broadcasts in the years immediately following World War II. In 1969 Henry appeared at the famous Woodstock festival with the Keef Hartley band. The trumpet was at its height and was used by famous composers such as Leopold (Mozart's father) and Michael (Haydn's brother) in their musical works during the 17th and 18th centuries. Britten. He dropped off the jazz radar soon after, only to reappear 20 years later. He also made recordings under his own name, which helped to cement his place in the jazz history books as one its first great improvisers. Louis Armstrong was asked if there were any other trumpeters in his class. Before the arrival of the gravel-voiced Satchmo – who rose to fame in King Oliver’s Chicago-based band in the early 20s – jazz was defined by collective rather than individual improvisation, but Armstrong’s unparalleled gift for embroidering melodies led him to reinvent the nascent genre as a vehicle for solo extemporisation. Chuck Mangione plays flugelhorn. Chicago’s Francis “Mugsy” Spanier was a cornet player who fell under the spell of King Oliver and Louis Armstrong and launched his career in the 20s; in the late 30s, after switching to the trumpet, he spearheaded a Dixieland jazz revival. In order to see this content you need to have both Javascript enabled and Flash installed. The elder sibling of saxophonist Michael Brecker, this Pennsylvania trumpet maestro is defined by his I-can-play-anything versatility. It speaks for itself. Buy download online. They are all part of a long lineage that stretches right back to the legacy of Louis Armstrong. I LOVE Miles Davis. When South Africa’s apartheid regime outlawed jazz, Masekela fled to Europe, and then the US, where he forged a stellar solo career fusing jazz with South African township rhythms. You got the date of death wrong for Dizzy. Just tired of this. Reiche was into trumpets as a kid and became more and more interested as he became an adult Reiche played Natural Music. i’d like to add that as a group Jazz musicians play notes that haven’t been invented yet! I read somewhere that Conte Candoli was approached (by Roach via a Harold Land recommendation?) In the 50s, Jones – perceived by some as Louis Armstrong’s heir apparent – started to enjoy huge commercial success as a solo artist, with his bright tone, lucid phrasing, and New Orleans infections reaping mainstream adulation.