“May 13, 2019. ... Philippe Jaroussky & L'Arpeggiata - Bésame mucho (Lodz,22.01.2012) Iola Gustavo. ED – Superster Philippe Jaroussky naar Eindhoven: ‘Hoezo roem? Young Artists To Watch: Martin Karu – Aiming for warmth and richness, Young Artists To Watch: Joël Vuik – Ready to go, Wigmore Hall's John Gilhooly: classical music needs to be united, calm and reasoned, Lawrence Brownlee steals the show in Tokyo, “Paganini on acid” and more from Kazuhito Yamane's Tokyo recital, Radiant Szymanowski from Isabelle Faust in Tokyo, The 2021 Tokyo International Music Competition for Conducting: seeking future-proof talents. Largely based on their latest recording, their programme at the Wigmore Hall, where L’Arpeggiata held a residency this season, was cleverly devised and performed with suave singing from Jaroussky and inventive playing from the instrumentalists of L’Arpeggiata, led from the theorbo by the inimitable Christina Pluhar. However, within the context of the whole programme which was remarkably consistent in style, the music was brilliantly and inventively performed and was thoroughly entertaining. Philippe Jaroussky (le paradis) dialogue avec le baryton Fulvio Bettini (l’enfer). Monteverdi : Si dolce è il tormento - Léa Desandre et Thomas Dunford. Jaroussky and L’Arpeggiata reach for the musical heavens. Paru le 16/01/2012 chez Warner Classics; Artiste principal : ... Ce programme plutôt explosif de Christina Pluhar et son Arpeggiata sur les rythmes furibards des musiques latino-américaines est porté à bout de … Music for a while, nouvel opus de Christina Pluhar et de L'Arpeggiata va sans doute en laisser plus d'un perplexe, totalement conquis ou résolument allergique. Een interview met een superster die ‘gewoon zijn werk doet’. by Tony Way on 6 May, 2019 Philippe Jaroussky and Belgian-born soprano, Céline Scheen join often-quirky early music band, L’Arpeggiata in a beautifully sombre selection of music by composers from north of the Alps who composed in the Italian early baroque style. For example, An Evening Hymn started in a straight style, but in the final section, the keyboard and drums suddenly struck up a jazz rhythm and the Alleluia was sung with a swing. Francesco Turrisi, who is also a jazz pianist, displayed his improvisatory skills on the organ (as well as the melodica at one point! La soirée concoctée par Philippe Jaroussky et Christina Pluhar pourrait être comparée à un opéra italien imaginaire en trois actes du XVII e siècle, suivi d’une œuvre religieuse. I can understand some early music purists may object to the spicing up of Purcell’s music in this way (there is a bit of the purist in me too). As one would expect, Jaroussky sang with finesse throughout, although in some songs he could have brought out more vocal colour. How we got there from Purcell’s “One charming night” I have no idea, but it was totally seamless and organic. He has also had a long working relationship with L’Arpeggiata that he is totally at home with their style, and although he sang the serious songs fairly straightforwardly, in some of the more secular pieces, he would give it a bit of a jazzy swing too. Philippe Jaroussky - L'Arpeggiata - Christina Pluhar. […], 2018-11-17, BR Klassik, Leporello, by Ursula Adamski-Störmer, Leave "Post Date" blank for general search. While maybe not for the musical puritans, this was the perfect showcase for an exceptional group of musicians to demonstrate their formidable technical and interpretative talents and to respectfully give some new vitality to the magical works of Purcell. L’Arpeggiata brought the sensuous heat and vibrancy of Catalonia to London's Wigmore Hall in a concert featuring songs and music from the Aragon region of Spain. His voice has an extraordinary pure quality and his unforced mezzo range soars beautifully over the ensemble. Nahoko is a UK-based Japanese music journalist with a background in musicology. © 2010-2021 Bachtrack Ltd. All rights reserved. This product includes GeoLite2 data created by MaxMind, available from, Now that the sun hath veiled its light, an evening hymn, Z 193, Dido and Aeneas, Z 626: Dido's Lament "When I am laid in earth", L'Arpeggiata jazzes up Purcell in Auckland, To add a comment, please sign in or register. L’Académie musicale Philippe Jaroussky, en complément du travail primordial des conservatoires, souhaite donc mettre en œuvre, en partenariat avec les acteurs territoriaux, des moyens supplémentaires pour donner à ces jeunes l’accès à la culture à travers la pratique instrumentale, la pratique du chant et ce pour les accompagner dans leur insertion sociale et/ou professionnelle. The group has presented both traditional early music and also several collaged and themed performances and recordings. L'ensemble L'Arpeggiata de Christina Pluhar est un ensemble vocal et instrumental de musique ancienne à géométrie variable. Space, Karura Hall…). If I pulled apart the programme and discussed each song in detail, I admit I have a few reservations. Himmelsmusik, German for “heavenly music,” is the latest project of Austrian theorbo player Christina Pluhar and her early-music ensemble L’Arpeggiata, based in France. He was most touching in the two songs from The Fairy Queen, “One charming night” and “The plaint”, where he showed emotional depth. Tout naturellement, l’Arpeggiata, dirigé par Pluhar qui joue de son théorbe, commence par la Toccata introductive de la Favola di Orfeo (1607) de Monteverdi (1567-1643). […]. CHAPELLE SAINTE KINGA, MINE DE SEL, WIELICZKA (3 AVRIL 2010) - Philippe Jaroussky : contreténor, ensemble Arpeggiata, dir. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines. Salve Regina (Monteverdi) - Philippe Jaroussky. If you like your Purcell spiced up with some jazz improvisation and Middle-Eastern flavours, Philippe Jaroussky and L’Arpeggiata’s gig was for you. Entitled “Music for a While: Improvisations on Henry Purcell”, the hour-and-a-half continuous programme consisted of some of Purcell’s most popular songs including An Evening Hymn, O solitude, my sweetest choice and “The plaint” and these were interspersed with Baroque instrumental music mainly based on the “ground bass” principle (Maurizio Cazzati’s Ciaccona, Nicola Matteis’s La dia Spagnola and Purcell’s Two in One on a ground et al) which are full of opportunities for a bit of jazzy improvisation. Christina Pluhar. En juin 2011, l’Arpeggiata a créé l’opéra méconnu de Giovanni Andrea Bontempi, Il Paride (1662) au Musikfestspiele Potsdam Sanssouci, dans une mise en scène de Christoph von Bernuth. 4:11. Largely based on their latest recording, their programme at the Wigmore Hall, where L’Arpeggiata held a residency this season, was cleverly devised and performed with suave singing from Jaroussky and inventive playing from the instrumentalists of L’Arpeggiata, led from the theorbo by the inimitable Christina Pluhar. Each set of songs and instrumental pieces was performed without a break, one merging into another seamlessly. Mauquin. Capables de l’angélisme le plus suave comme de la théâtralité la plus saisissante, Céline Scheen et Philippe Jaroussky s’imposent comme des interprètes incontournables de ces chefs-d’œuvre, entourés des couleurs scintillantes de L’Arpeggiata sous la direction éminemment experte de Christina Pluhar. We use cookies to ensure that we give you the best experience on our website. EINDHOVEN – ‘Je houdt van mijn stem of je haat hem, iets daartussenin bestaat niet.’ Zegt Philippe Jaroussky, wereldberoemd countertenor. Listen to Himmelsmusik by L'Arpeggiata, Christina Pluhar, Philippe Jaroussky & Céline Scheen on Apple Music. C'est en duo avec Christina Pluhar et accompagné par l'ensemble L'Arpeggiata, que Philippe Jaroussky interprètera le célèbre Stabat Mater de Pergolèse dans la Vallée de l'Alzou sous les étoiles, face à la cité de Rocamadour illuminée. Our privacy policy was last updated on Friday 31 January 2020, Reviewed at Wigmore Hall, London on 10 July 2014. 4:25. To all this, the stylish countertenor Philippe Jaroussky further added a French feel to the Purcell songs. Joined by Belgian soprano Céline Scheen and French countertenor Philippe Jaroussky, Pluhar leads her charges in a program of 17th-century instrumental and vocal works rooted in—and pollinated by—influences from cities spanning the northern and southern ends of Europe.” […], 2019-05-06, Limelight Magazine, by Tony Way, Jaroussky and L’Arpeggiata reach for the musical heavens. At one point in the instrumental interlude, he went on a five-minute solo improvisation on the zarb (a Persian goblet drum) which was utterly spellbinding. Gott, ich knie", "Lamento: Ach, dass ich Wassers g'nug hätte" and more. The violin and cornetto would often duel with each other in the instrumental sections or add an ad lib line to a Purcell song; in Strike the viol the cornetto (Doron Sherwin) added lovely counterpoint to the voice. Watch Philippe Jaroussky, L'Arpeggiata - "Sì dolce è'l tormento" (Monteverdi) - Philippe Jaroussky FC on Dailymotion If you like your Purcell spiced up with some jazz improvisation and Middle-Eastern flavours, Philippe Jaroussky and L’Arpeggiata’s gig was for you. Ik doe gewoon mijn werk!’, Res Musica – Avec Luigi Rossi, la lyre d’Orphée et la harpe de David, wrti – Classical Album of the Week: Himmelsmusik, A Little Piece of Early Music Heaven from L’Arpeggiata, Limelight Magazine – “Himmelsmusik” (L’Arpeggiata/Christina Pluhar). L'Arpeggiata is European early music group led by Christina Pluhar. On this occasion, L’Arpeggiata was comprised of nine players: Baroque violin, cornetto, two theorbos, Baroque harp, double bass, percussion, harpsichord and organ. Saint-Michel-en-Thiérache : le contre-ténor Philippe Jaroussky et L’Arpeggiata offrent ce dimanche après-midi une version inédite d’œuvres de Purcell . Himmelsmusik, German for “heavenly music,” is the latest project of Austrian theorbo player Christina Pluhar and her early-music ensemble L’Arpeggiata… 2:43. Français : Philippe Jaroussky et l'ensemble l’Arpeggiata dirigé par Christina Pluhar saluent à l'issue d'une représentation du programme « Music for a while » donné le 27 juin 2014 à la MC2 de Grenoble. A refreshing, unconventional reworking of Purcell's. Langueur amoureuse de Rossi par Jaroussky, Scheen, Pluhar et L’Arpeggiata Le 14/11/2019 Par Frédérique Epin Christina Pluhar, deux chanteurs parmi ses fétiches (Céline Scheen et Philippe Jaroussky), ainsi que son ensemble L’Arpeggiata, composent un programme autour de Luigi Rossi et de ses contemporains Maurizio Cazzati, Lorenzo Allegri, Orazio Michi et Marco Marazzoli à la Salle Gaveau. Monteverdi L'incoronazione di Poppea "Oblivion soave" - Philippe Jaroussky. Reprenant une démarche déjà expérimentée dans All'Improviso, la musicienne retrouve le clarinettiste Gianluigi Trovesi, Philippe Jaroussky et bien d'autres pour explorer la musique de Purcell en mode improvisation jazz. If you continue to use this site we will assume that you are happy with it. 2019-05-13, wrti, by Heather McDougall “May 13, 2019. ), and the versatile percussionist David Mayoral produced an amazing array of rhythms and timbres just using his hands and fingers (no sticks). Whether or not Purcell’s music really needs spicing up is debatable, but in this concert Jaroussky and L’Arpeggiata showed that such a fusion approach could work if done with style and musical commitment. L'Arpeggiata fascinate, amuse, move to tears - in not even two hours. Et pour finir, le tenorino napoletano Vincenzo Capezzuto chante qu’il faut « essayer d’être heureux » sur une tarentelle traditionnelle. So, how did Purcell’s music fare under such treatment? L’Arpeggiata est accueilli en résidence en 2012 et 2013 au Carnegie Hall New York, Wigmore Hall London et au Théâtre de Poissy. PHILIPPE JAROUSSKY / L'ARPEGGIATA / CHRISTINA PLUHAR en concert Mercredi 25 Août 2021 à 21h30 Vallee De L'alzou A Rocamadour , Rocamadour (46) Dans le cadre du festival FESTIVAL DE ROCAMADOUR Avec une maîtrise technique qui lui permet les nuances les plus audacieuses et les pyrotechnies les plus périlleuses, Philippe Jaroussky a investi un répertoire extrêmement large dans le … Stream songs including "Der Sionitin Wiegenlied: Nun, ich singe! Above all, I marvelled at the spontaneity and the inventiveness of the individual performers which was at the heart of their joyous music-making. France musique. P. Jaroussky & C. Pluhar Philippe Jaroussky, Christina Pluhar et l'Arpeggiata célèbrent dix ans de complicité par une tournée internationale qui ne pouvait que faire halte à Ambronay.
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